Samsung 20-50mm f/3.5-5.6 i-Function

Samsung 20-50mm f/3.5-5.6 i-Function

On paper, a lens with only a 2.5x zoom range and a small f/3.5 to f/5.6 aperture looks pretty questionable, but this is essentially a pancake zoom. So how well does this compact zoom perform?

The lens is typical kit lens build quality. It has a plastic mount held on with only 3 screws, a zoom ring, an i-Function ring, and a locking mechanism that locks the barrel out when it is extended. To retract the barrel you have to set the lens at 20mm and slide the locking switch at the same time you turn the zoom ring passed 20mm and the lens retracts. To open you only have to twist the zoom ring back to 20mm. There is one piece of metal on the lens, and that is the short barrel that extends when you open up the lens.

A note I have to make, uncommon as it is with current lenses, the front filter ring turns when you change focus, meaning it is more difficult to use polarizers or other direction oriented filters, and is 40.5mm, which is a bit of an awkward size. I wish it would have been the same size as the primes at 43mm (the difference is very small, easy to mistake lens capes, etc).

The lens has 9 elements in 8 groups, including 1 ED element. The lens also has a 7 bladed diaphragm, as most Samsung lenses seem to have. The minimum focus distance is 0.28 m (11″), and weighs next to nothing at only 119 g (4.2 oz).

Optical Characteristics

Samsung uses in camera correction by design with their lenses. What this means is they intentionally don’t correct all the distortion, vignetting, and lateral CA of the lens and correct it in software. The RAW file is left alone by Lightroom at this time. I shoot the chart using RAW + JPEG, and use the JPEG for the “corrected” results and the RAW for the uncorrected. JPEG settings are camera default.


Corrected 20mm

Uncorrected 20mm

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Corrected 35mm

Uncorrected 35mm

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Corrected 50mm

Uncorrected 50mm

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Comments on the Optics

I notice that distortion is only corrected for the extreme barrel distortion at wide angles. I notice the upper focal lengths do not appear corrected. In the corrected files, the resolution drops slightly in the corners (even given the added sharpening in JPEG), but center performance improves. As the corners are stretched out to correct the distortion, the resolution should drop some.

Overall, corrected or not, the lens produces great results at all apertures and settings. Almost all aperture settings perform equivalently, and there is really not much to fault with this lens.

Lateral chromatic aberrations are well controlled, flare is excellently controlled, the borders don’t perform that much worse than the center for the class of lens.

Pros and Cons

Bottom Line

This is a great compact lens. It performs slightly better than the 20mm f/2.8 over the overlapping range. Performance is very good through the entire zoom range, which is rare for a kit zoom. Its compact size makes it a no brainer for carrying, and it is a very light lens. It isn’t perfect at anything, but is pretty good at everything.


The gallery images are © 2011 Eric Tastad, and may only be used for personal evaluation of the lenses. Please visit the gallery on Zenfolio where you can download original sized images.